homeless_extract
Script created with Final Draft by Final Draft, Inc.
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EXTRACT FROM 'HOMELESS'
by Peter Devonald and Kevin Scrantz
COPYRIGHT 2004-2009: Contact pdevonald@hotmail.com for more details
FADE IN:
TITLE CARD: THE HAPPY HAPPY FILM STUDIO PRESENTS...
INT. HAPPY HAPPY STUDIO - AFFLUENT SET - DAY
ANDIE and JEREMY sit on a cosy settee. Well to-do, well
dressed, you can almost smell the money. They talk straight
to camera, all hand gestures and expression.
JEREMY
Hello, and welcome to the Happy
Happy Film Studio.
ANDIE
The Happy Happy Film Studio was
set up to grasp the mettle on
issues rarely talked about in
today's society -
JEREMY
Our many, many, many, many, many
friends call it a hobby, but it's
a bit more than that. Every film
we make is a life-affirming
event. Isn't that right, Andie?
ANDIE
That's right, Jeremy. Here at the
Happy Happy Studio, we grasp life
by the balls!
Andie grabs Jeremy's crotch. Jeremy looks stricken, falls
off the settee.
TITLE CARD: JEREMY AND ANDIE's...
JEREMY
We may be a SMALL London-based
Studio, but we're a SMALL London
based Studio with a great BIG
HEART. And we never lose touch of
the BIGGER PICTURE.
ANDIE
Our aim with this ground-breaking
documentary film is to show the
sunny side of doom and despair.
JEREMY
And though today's not a day for
sound-bytes -
ANDIE
Or tooting our own horn.
JEREMY
This humble offering will change
the world forever.
ANDIE
We hope you enjoy it... but not
too much. Because enjoying
homelessness is wrong.
JEREMY
Mmmmm.
ANDIE
Mmmmm.
TITLE CARD: HAPPILY HOMELESS
EXT. FLYOVER - NIGHT
A rough, rain drenched underground flyover. HOMELESS PEOPLE
strewn around, underneath blankets, newspapers.
ANDIE (V.O.)
We've all seen them... We can
pretend they're not there... We
can even put on the happy-happy
magic glasses that make them
disappear... But they're still
there, a stinking swill of
humanity like running sores.
FRANK comes into view, asleep in a soggy cardboard box. He
lurches up, stares to camera, blinks, blinks.
ANDIE (V.O.)
Like Frank. He's not really
called Frank, but to protect his
anonymity and spare his family
embarrassment, we've agreed not
to identify him as one Stephen
Hughes, formerly of Watford.
Frank stares at the camera, like someone caught in the
headlights.
JEREMY (V.O.)
We follow him through 24 hours,
to see the lows and lows of his
non-'roofie' existence.
Frank groans, sits up.
ANDIE (V.O.)
That's our cool, GROOVY,
terminology for those who live in
houses - breaking the negative
connotations about homelessness.
A blur of moving shapes and colors. SOUNDS of traffic and
PEDESTRIANS on the crowded flyover. A swirling mass of
SUITS.
ANDIE (V.O.)
Frank could be any one of us...
Except he's not, he's Stephen
Hughes, formerly of Watford.
Frank sits on the ground, begs. Suits traipse past.
JEREMY (V.O.)
But like all of us, he wakes up
in the morning...
ANDIE (V.O.)
Well, most days...
JEREMY (V.O.)
And goes to bed at night -
ANDIE (V.O.)
Except when he's throwing up
blood.
JEREMY (V.O.)
Indeed -
FRANK
Got any change, mate? Got any -
Suit throws a coin at Frank's face, hits him in the eye. He
collapses backwards into his blanket/ newspaper bed.
JEREMY (V.O.)
But for him, the daily toil is
only just beginning.
EXT. STREET BEHIND TAKE-AWAY PLACE - DAY
Frank scavenges for food from the back of dustbins.
ANDIE (O.S.)
Jeremy, some people could suggest
we could give him food -
JEREMY (O.S.)
No! That's the last thing we
should do!
ANDIE (O.S.)
That's right. Here at Happy Happy
Films we believe it best not to
tamper with the laws of nature by
coddling poor miserable
unfortunates.
Frank finds a bone from the dustbin, gnaws on it.
JEREMY (O.S.)
This is true - as our Lord and
Savior said, Give a man a fish
and - or was it a rock?
ANDIE (O.S.)
I believe it was a serpent. Give
a man a serpent and... Can't
remember the rest, unfortunately.
JEREMY (O.S.)
Give a man a serpent and he'll
eat for one day: give a man a
snake factory and he'll eat for a
lifetime.
Frank turns, pushes the camera away.
FRANK
D'you mind? I mean, really!
The camera shows the wall.
ANDIE (O.S)
Jeremy....
JEREMY (O.S.)
Yeah?
Camera swings to Andie, look of disgust.
ANDIE
He... he... Touched me!
The camera swings back, shows Frank stumbling away.
INT. FLYOVER - DAY
Frank, shoulders slumped, walks back to his box.
ANDIE (V.O.)
And so... With nothing else to
do, Frank does what any other
useless person would do.
Frank slumps back underneath the blankets and newspapers.
JEREMY (V.O.)
Let us not pity Frank -
ANDIE (V.O.)
That's right, Jeremy. Remember,
the good Lord's sky is a lot
prettier than any tacky old roof.
Is it really so bad to be
homeless?
JEREMY (V.O.)
We all must be taught to think
outside the box.
Frank pokes his head out of cardboard box, looks about,
puzzled.
INT. FLYOVER - DAY
A blur of moving shapes and colors. SOUNDS of traffic and
PEDESTRIANS on the crowded flyover.
JEREMY (V.O.)
And so Frank's day continues...
Frank begs. More people go past.
Frank begs. People go past.
Frank begs. People ignore him.
ANDIE (V.O.)
Jeremy...
JEREMY (V.O.)
Yes, Andie?
ANDIE (V.O.)
Hate to say it, but...
JEREMY (V.O.)
Speak candidly, Andie. You're
amongst friends.
ANDIE (V.O.)
It's just, well... Pretty boring
TV, isn't it?
Frank begs. People ignore him, walk past.
ANDIE (V.O.)
I mean... Do we really want to
see this?
JEREMY (V.O.)
Mmm, I see your point...
ANDIE (V.O.)
Can't we, you know, liven it up a
little?
JEREMY (V.O.)
You mean, like -
Screen pulsates with strobe-effect.
ANDIE (V.O.)
Yeah! That's good. And how about -
Music blares out.
JEREMY (V.O.)
Nice. And --
Camera randomly pans in and out.
JEREMY (V.O.)
Too bad Benny Hill isn't around
anymore.
Different colours on screen.
ANDIE (V.O.)
Mmm, it's better but... Well,
it's better if we just don't
look, isn't it?
JEREMY (V.O.)
Mmmm...
Camera slumps down towards the ground.
INT. AFFLUENT STUDIO - NIGHT
Jeremy smiles to camera, tilts head, endearing. Andie sits
beside him, all prim and proper.
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Script created with Final Draft by Final Draft, Inc.