CONTROL_extract
Script created with Final Draft by Final Draft, Inc.
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EXTRACT FROM CONTROL.COM
by Peter Devonald (from a story by R.T)
COPYRIGHT 2004-2009: Contact pdevonald@hotmail.com for more details
FADE IN:
EXT. SCARBOROUGH SEA FRONT - BAR – NIGHT
Waves crash against the shoreline. Thunder cracks overhead.
RONNIE looks up at the sky, sighs. He's 29, not
unattractive, but awkward, too tall for his own good, messy
hair, slumped shoulders.
Burst of music O.S.
Ronnie looks down, around, into the bar through the open
door.
Inside, happy laughing people, bathed in warm light.
As the door to the bar closes, rain lashes down. Ronnie
stands there, forlorn, miserable, soaked.
INT. RONNIE'S HOUSE – KITCHEN – NIGHT
Congealed waffles and beans are kept warm on the cooker.
Above the cooker, a kitchen plaque: 'Home is where the
Hearth is'.
DORIS sits, knits. Doris, 70, is silver haired, a sweet old
lady.
DOOR SLAMS SHUT O.S.
DORIS
Ronnie? Is that you, Ronnie?
Footsteps hammer up the stairs.
Doris sighs, shakes her head, focuses on the knitting.
BEDROOM
Ronnie locks the door, goes to the computer, switches on
the lamp, turns on the monitor, clicks the mouse. Modem
connecting sound blares out as Ronnie sits down.
SCREEN
On the tool bar, bottom right of the screen, the Internet
connection symbol appears.
WELCOME TO THE WONDERFUL WORLD WIDE WEBLOG OF ALISTAIR
FEARNLEY.
CLICK. Grainy images of Alistair's house, tracking around
the affluent room.
ALISTAIR (O.S)
(through computer)
Today was another splendid day!
Met the most gorgeous woman at a
polo match – absolute magic.
Super body, emerald eyes, lush
long blonde hair -
KNOCK AT THE DOOR O.S.
BEDROOM
Ronnie stares at the screen, flushed with excitement. His
body sinks, almost teenager-like.
ALISTAIR (O.S)
And just you wait till you hear
what she said to me!
KNOCK AT THE DOOR.
DORIS (O.S)
Ronnie! Ronnie!
CORRIDOR
Doris stands, anxious, stares at his door, shakes her head.
SOUNDS OF TYPING O.S.
DORIS
Ronnie, whatcha doing?
SOUNDS OF TYPING CONTINUE O.S.
DORIS
I've made you Waffle and Beans,
just the way you like it.
Silence. Click – the door is unlocked, slowly opens, Ronnie
looks out at her.
Doris smiles encouragingly.
KITCHEN
Ronnie sits at the table. Doris shuffles around, lovingly
puts the waffle and beans on the table beside him, then the
bottle of ketchup.
DORIS
Tomorrow will be a better day.
You'll get a job, Ronnie. Just
you see.
Ronnie looks miserable.
Doris pats his shoulder. He places his hand on hers, looks
at her, shares the moment.
DORIS
You mean the world to me, Ronnie.
I'd be lost without you.
Ronnie smiles, turns back, eats, happy. Doris clips his
head.
DORIS
First we say grace.
Doris sits down, puts her hands together.
DORIS
We are thankful oh Lord for what
we are -
Ronnie looks at her, then the waffles, sneaks a mouthful
DORIS
And what we can become.
INT. DORIS'S HOUSE - RONNIE BEDROOM – NIGHT
In the darkness, the computer hard drive churns.
Ronnie lies in bed, asleep. He tosses, turns.
INT. ALISTAIR'S APARTMENT – NIGHT (DREAM)
Ronnie stands in an affluent room, wears expensive designer
clothes, swills his cocktail glass around. ADORING WOMEN
hang on his every word.
RONNIE
And I just looked at him, and
said – I am me and you are you: I
am a somebody and you are a
nobody: now get back to your
petty little sty and get out of
my way, you odious little man.
Laugh. The Adoring Women swoon, loving him.
ADORING WOMEN
Tell us more Ronnie, tell us
more.
Ronnie looks at them with a glint in his eye.
RONNIE
Maybe we can continue this
upstairs?
TRIUMPHANT MUSIC.
INT. DORIS'S HOUSE - RONNIE BEDROOM – NIGHT
Ronnie wakes with a start, looks around. The triumphant
music continues.
Ronnie gets up, notices the computer is left on. He goes up
to it, flicks the monitor on.
SCREEN
Music blares out with fast images of happy people, great
lives, boats, cars, girls, everything Alistair has.
On the tool bar, bottom right of the screen, the symbol
shows connection to the internet.
BEDROOM
Ronnie looks more and more deflated as the images on screen
flash, reflecting in his ill-lit room.
COMPUTER
(through speaker)
Weblog enthusiast? Fancy a
change? Let Control.com help you.
Click here for a once a lifetime
chance.
Ronnie looks at it cynically.
COMPUTER
Just ask yourself, what have you
got to lose?
Ronnie sighs, leans back, stares at the screen.
Lethargically he clicks to enter the site.
COMPUTER
Hunzicker Labs Inc offer you the
unique opportunity to experience
life as someone else.
If they keep a current weblog,
you can, for a small fee, get a
taste of their life. Literally.
Ronnie hesitates, moves the mouse, clicks.
COMPUTER
Let's get a little more personal,
Ronnie.
Ronnie reacts, slides the mouse off the desk. It dangles in
the mid air by its 'tail', swings like pendulum.
COMPUTER
Life is more than waffles and
beans on a Friday, lashed to an
existence you hate by her apron
strings.
Ronnie glances at the back of the machine, looks around,
insecure. He grimaces, goes to turn the computer off -
COMPUTER
Control.com is designed just for
you, Ronnie. Ever wondered what
would've happened if you'd had
opportunities, just one single
moment of luck? Now you can find
out.
Ronnie sits back, slowly wipes his mouth, drags his bottom
lip down.
COMPUTER
Simply type in the blog address
of the person's life you want to
lead, then take possession,
exclusively with Control.com.
Ronnie types, fast.
COMPUTER
Selection verified and validated.
Whilst in Control.com an
algorithm of your existence will
replicate the 98.4% of your
waking time split between
watching daytime TV, surfing the
internet, eating and
masturbating. Are you ready to
take Control.com?
Ronnie drags his hand through his hair.
LIVING ROOM
TV blares out. Doris sits on the chair, asleep.
Ronnie sneaks in, checks Doris is asleep, goes to the
handbag on the table, takes the purse out, steals the
credit card.
COMPUTER (V.O.)
Please enter your credit card
details.
Ronnie stops, goes up to Doris, tenderly pulls the blanket
over her body. He goes to the TV, slowly reduces the
volume, turns it off.
COMPUTER (V.O.)
Payment for trial period
received. Thank you.
Ronnie looks at Doris, tilts his head, smiles.
COMPUTER (V.O.)
Please click once to accept our
terms and conditions before
taking Control.
BEDROOM
Ronnie skims down the 'Terms and conditions' on the page,
CLICKS ACCEPT. The screen goes blank.
RONNIE
Aw, come on!
INDEX FINGER
Taps on the desk –
MATCH CUT TO:
INT. WORKPLACE - NIGHT
POV – Index finger taps the drafting table, with a plan for
some grandiose public space. In the b.g., a tabletop model
of the same building. He looks up the arm, further,
further, it's a different arm, more masculine, toned. Palms
of the hands move over the eyes. He rocks back in the
chair, splays his fingers, peers through them.
Architectural practice around him, attractive, sparse. A
massive window shows a breathtaking view of London.
Ronnie's arms fall to his sides. He whips his head down and
around. He gets up, pads around, stops, sees the reflection
in a glass partition.
He leans in, closer. He is still Ronnie, but now he is in
Alistair's body, tall, broad, without bulk.
His slumped shoulders lean back, he likes his new self.
Confidence oozes from his designer clothes, haircut, new
stance. Ronnie twists and turns before the glass in
admiration.
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Script created with Final Draft by Final Draft, Inc.